A motivated and thoughtful sound editor, seeking experience and opportunities to contribute to a great production team.

     My journey into audio began with an early fascination with music—playing guitar, studying music theory, and performing live in bands around Toronto. Over time, that passion evolved into a career in audio post-production, where I’ve contributed to a range of productions including Son of a Critch (3 seasons), Hudson & Rex, Ruby & The Well, The Hardy Boys, and most recently The Twisted Tale of Amanda Knox.

     I completed my Honours in Audio Production at Harris Institute in 2021, and worked full-time as Operations Manager at a Toronto-based post-production studio from Nov 2021 to March 2024. There, I supported editors, engineers, and mixers by prepping elements for ADR and mixing, creating M&E Mixes, filing paperwork (SAG/ACTRA), updating templates, importing tracks, printing stems, and backing up project files under tight deadlines. As a Trainee Assistant Sound Editor with the Directors Guild of Canada, I’ve recently worked on The Twisted Tale of Amanda Knox, where I learned lots about dialogue assembly/prep, foley editing, ADR/Loop Group Prep, and compiling SFX libraries.

     I want to always continue learning and growing as a sound editor with creative teams. Contributing to the director's vision by delivering well-organized audio, clear notes, and proactive solutions—such as flagging problem areas, recommending ADR/loop group coverage, or sourcing alternate takes is always a goal of mine.

     I work extensively in Pro Tools and have experience (and licenses) with key post-production tools including Auto-Align, RX Advanced, EdiCue, EdiLoad, DX Revive, Hush Pro, Matchbox 2, Source Connect, and more.

     Before entering the audio world, I worked as a CPGA-certified golf professional and operations manager at one of Canada’s top golf courses. I bring that same discipline, attention to detail, and client-first mindset into every project I take on.